I Stand All Amazed

Text and Music by Charles H. Gabriel 1856-1932

Charles Gabriel was a gospel song writer/composer.  He is said to have written between 7 and 8 THOUSAND songs, many of which are in 21st century hymnals.

"I Stand All Amazed" became an "LDS" hymn in 1909 when it was included in Deseret Sunday School Songs, only 10 years after its first publication in a gospel-song collection.  It has been arranged a little more simply in each of the three printings.  In 1909 the tenors had the melody and women's voices sang the harmony.  In the 1950 hymnal the setting was simplified by moving the melody to the sopranos, but the chorus retained the women's voices alone on the words "That He should care for me enough to die for me" while the men's voices sang "Wonderful! Wonderful!" in harmony with certain words in the chorus.  The 1985 version simplified it further by omitting the men's response of "Wonderful! Wonderful!"

The arrangement our choir is singing is by Gordon Jessop, whose setting reflects some of the characteristics of the original 1909 setting.  For most of the piece, the men have the melody while the women sing harmony.  He has also brought back the echo of the word, "Wonderful" during the chorus, however, that part is sung by the women while the men continue on the melody.  It is a very tender setting that beautifully evokes the deep gratitude I feel when I sing this hymn.

I am attaching a link to an address entitled, "I Stand All Amazed," by Jeffrey R. Holland, then president of the Brigham Young University.  It is a wonderful message that will deepen the feelings conveyed by this hymn and will help make our worship through this hymn more meaningful and heartfelt.  Take a few minutes to read it and I'll bet you won't ever sing this hymn as a "vain repetition" again.

Here are some excerpts from Elder Holland's address, but really, you ought to try to read the whole thing, because it's so good!

For me, there is no greater amazement and no more difficult personal challenge than when, after the anguish in Gethsemane, after being mocked, beaten, and scourged, Jesus staggers under his laod to the crest of Calvary and says, "Father, forgive them; for they know not what they do." (Luke 23:34.) 

If ever there is a moment when I indeed stand all amazed, it is here, for this is an amazement of a different kind. So much of the mystery of his power and ministry tear at my mind: the circumstances of his birth, the breadth and variety of his ministry and miracles, the self-summoned power of his resurrection—before all of these I stand amazed and say, “How did he do it?” But here with disciples who abandoned him in his hour of greatest need, here fainting under the weight of his cross and the sins of all mankind which were attached to it, here rent by piercing spikes in his palms and in his wrists and in his feet—here now the amazement tears not at my mind but at my heart, and I ask not “How did he do it?” but “Why did he do it?” It is here that I examine my life, not against the miraculousness of his, but against the mercifulness of it, and it is here I find how truly short I fall in emulation of the Master. 

Every generation in every dispensation of the world has had its own multitudes crowding around that cross, laughing and jeering, breaking commandments and abusing covenants. It isn’t just a relative handful in the meridian of time who are guilty. It is most of the people, most of the places, most of the time, including all of us who should have known better. 

Surely the reason Christ said “Father, forgive them” was because even in the weakened and terribly trying hour he faced, he knew that this was the message he had come through all eternity to deliver. All of the meaning and all of the majesty of all those dispensations—indeed the entire plan of salvation—would have been lost had he forgotten that not in spite of injustice and brutality and unkindness and disobedience but precisely because of them had he come to extend forgiveness to the family of man. Anyone can be pleasant and patient and forgiving on a good day. A Christian has to be pleasant and patient and forgiving on all days. It is the quintessential moment of his ministry, and as perfect in its example as it was difficult to endure. 

I stand all amazed that even for a man like me, full of egotism and transgression and intolerance and impatience, there is a chance. But if I’ve heard the “good news” correctly there is a chance—for me and for you and for everyone who is willing to keep hoping and to keep trying and to allow others the same privilege.

I Stand All Amazed

I stand all amazed at the love Jesus offers me,

Confused at the grace that so fully He proffers me;

I tremble to know that for me He was crucified,

That for me, a sinner, He suffered, He bled and died.

I marvel that He would descend from His throne divine

To rescue a soul so rebellious and proud as mine;

That He should extend His great love unto such as I,

Sufficient to own, to redeem, and to justify.

I think of His side, pierced and bleeding to pay the debt,

Such mercy, such love and devotion can I forget?

No, no! I will praise and adore at the mercy seat,

And testify all my desires He doth fully meet.

O it is wonderful that He should care for me

Enough to die for me!

O it is wonderful, wonderful to me!

I Will Come Unto Christ

This hymn was published in the New Era in 1992.  It was written by Janice Kapp Perry, with words by Rodney Turner.

Here's something new I learned about Janice Kapp Perry:  In 1970 she got what she called her "two lucky breaks" when she broke her ankle playing basketball, and at the same time, the family TV broke.  With lots of time off her feet and no TV to watch, her ward Bishop asked her to write some music for the ward roadshow, which initiated her future musical success.

I couldn't find very much information about Rodney Turner, except that he is an emeritus BYU professor of Ancient Scripture.  I believe he has written some books, and of course, the lyrics to this hymn.  It's a lovely message about the Savior.  I love its simplicity and the imagery from the Savior's life it conveys.  Enjoy!

I Will Come Unto Christ

I will come unto Christ, who calls to me

As others were called by that ancient sea,

Whose shores He walked in Galilee,

When once He taught the blind to see,

The ones who were blind like me.

I will look unto Christ—let come what may—

In all that I do and in all I say.

For He’s the Potter, I, the clay,

And I will serve Him day by day,

And walk in the narrow way.

I will sing the dear Lord’s redeeming song

Of infinite love for the human throng,

Of blood and tears shed for each wrong

Of hope made bright for all who long

To sing His redeeming song.

I will honor the Father’s Holy One,

Redeemer of stars and of moon and sun—

Of kingdoms, glories He has won

For great and small when judgment’s done—

All praise the Beloved Son.

Press Forward Saints

This hymn is unique to the LDS faith, and not found in other Christian denominations because it is based on a wonderful Book of Mormon scripture.

2 Nephi 31:20 "Wherefore, ye must press forward with a steadfastness in Christ, having a perfect brightness of hope, and a love of God and of all men. Wherefore, if ye shall press forward, feasting upon the word of Christ, and endure to the end, behold, thus saith the Father: Ye shall have eternal life."

I love this scripture.  I remember reading it at a time in my life that was particularly crazy and busy, and when I felt that the universe had combined to hedge up my way.  And one morning during that time I read this scripture and I felt like it was written just for me.  "Press forward with a steadfastness in Christ--having a perfect brightness of hope and a love of God and all men!"  I lived by those words until I had successfully finished the huge project I was working on, and I feel like those words literally carried me through to the end.

The words of the scripture were set to verse by Marvin K. Gardner who said that 2 Nephi 31:20 had been one of his favorite scriptures all through seminary and on his mission.  One night he heard them quoted at a stake conference and realized that the words fell perfectly into a hymn format.  He said "The words of the scripture kept going through my mind well into the night and during the following weeks.  Because I wanted the hymn to focus continually on the Father and the Son, I placed the words God and Christ at consistent points in all three verses.  The repeated alleluias allow us to respond to Nephi's words and to express gratitude for the Savior's atonement."

Knowing that other musical settings were being considered for this hymn text, Vanja Watkins, the composer, was "puzzled to hear a tune to these words insistently going through [her] mind one evening."  She says, "I wasn't home, and it was several hours before I could put the tune down on paper.  Then I awoke several times during the night thinking of it and mentally harmonizing it.  In the morning I wrote the harmony I had heard and continued to work with it for several days.  Then, since I knew of no reason to submit it, I put it away in a drawer with out mentioning it to anyone."

It was later when the Hymnbook Committee decided to look for a new musical setting for the hymn text that Vanja Watkins submitted her work and it was accepted. She said, "I knew it was through the Lord's inspiration that I was given the music to accompany these choice words."

Press Forward Saints

Press forward, Saints, with steadfast faith in Christ,

With hope’s bright flame alight in heart and mind,

With love of God and love of all mankind.

Press forward, feasting on the word of Christ.

Receive his name, rejoicing in his might.

Come unto God; find everlasting light.

Press on, enduring in the ways of Christ.

His love proclaim thru days of mortal strife.

Thus saith our God: “Ye have eternal life!”

[Chorus]

Alleluia! Alleluia! Alleluia!

Be Thou My Vision

This hymn is a traditional Irish Hymn.  The Old Irish poem "Rop tu mo bhoile a Comdi cride" is attributed to early Christian Irish poet Dallan Forgaill of the 6th Century.  His words were translated into English in 1905 by Mary Byrne, and later put to verse by Eleanor Hull in 1912.

The tune is an 8th century Irish tune called "Slane."  That tune has reference to Slane Hill where in 433 A.D. St. Patrick defied the pagan High King of Tara by lighting candles on Easter Eve.  The king was so impressed by St. Patrick's defiance, that he allowed him to continue his ministry.

The arrangement of this piece that our choir is singing is by Dan Forrest, one of my new favorite composers.   I just love the way he conveys the simple beauty of the melody in this piece, and I love how he adds open fourths in the harmony that keeps the historic feel of the melody, but also adds some great dissonance that makes it an aurally rich experience.  Here is a link to a recording of the piece, primarily for the benefit of the choir, but anyone will enjoy it I'm sure.  (This link takes you to Dan Forrest's choral library.  You have to scroll down almost to the bottom of the page to find this title.)

The words are lovely.  They portray a strong devotion to Christ and a make me feel an increased desire to know Him better, to serve Him better, and to make Him a greater and greater part of my life.  In particular I like the many different names by which we refer to the Savior in this song.  Some of them are quite thought provoking:  Vision, Best Thought, Light, Wisdom, True Word, Great Father, Inheritance, High King of Heaven, Treasure, O Bright Heavn's Son, Heart of my own heart, Ruler of All.

Our Savior, Jesus Christ, is known by many names.  And it is only through His name that we may hope to obtain salvation.  Mosiah 3:17 "And moreover, I say unto you, that there shall be no other name given nor any other way nor means whereby salvation can come unto the children of men, only in and through the name of Christ, the Lord Omnipotent." (emphasis added)

Be Thou My Vision

Be Thou my Vision, O Lord of my heart;

Nought be all else to me, save that Thou art-

Thou my best thought, by day or by night,

Waking or sleeping, Thy presence my light.

Be Thou my Wisdom, and Thou my true Word;

I ever with Thee and Thou with me, Lord;

Thou my great Father, I Thy true son;

Thou in me dwelling, and I with Thee one.

Riches I heed not, nor man's empty praise,

Thou mine inheritance, now and always:

Thou and Thou only, first in my heart,

High King of heaven, my Treasure Thou art.

High King of heaven, my victory won,

May I reach heaven's joy, O bright heaven's Sun!

Heart of my own heart, whatever befall,

Still be my Vision, O ruler of all.

I'm also including the original English translation because it's a step closer to the original Irish text than this setting that has been put into verse and it could help us understand a little better some of the original intent of the poem.

English Translation

by Mary Byrne, 1905

Be thou my vision O Lord of my heart

None other is aught but the King of the seven heavens.

Be thou my meditation by day and night.

May it be thou that I behold even in my sleep.

Be thou my speech, be thou my understanding.

Be thou with me, be I with thee

Be thou my father, be I thy son.

Mayst thou be mine, may I be thine.

Be thou my battle-shield, be thou my sword.

Be thou my dignity, be thou my delight.

Be thou my shelter, be thou my stronghold.

Mayst thou raise me up to the company of the angels.

Be thou every good to my body and soul.

Be thou my kingdom in heaven and on earth.

Be thou solely chief love of my heart.

Let there be none other, O high King of Heaven.

Till I am able to pass into thy hands,

My treasure, my beloved through the greatness of thy love

Be thou alone my noble and wondrous estate.

I seek not men nor lifeless wealth.

Be thou the constant guardian of every possession and every life.

For our corrupt desires are dead at the mere sight of thee.

Thy love in my soul and in my heart --

Grant this to me, O King of the seven heavens.

O King of the seven heavens grant me this --

Thy love to be in my heart and in my soul.

With the King of all, with him after victory won by piety,

May I be in the kingdom of heaven O brightness of the son.

Beloved Father, hear, hear my lamentations.

Timely is the cry of woe of this miserable wretch.

O heart of my heart, whatever befall me,

O ruler of all, be thou my vision.

Jesus the Very Thought of Thee

Jesus the Very Thought of Thee is known by several other titles, including, "Jesu! The Very Thought is Sweet!", "O Hope of Every Contrite Heart" and "Of Him Who Did Salvation Bring."  We typically sing only three or four of the fifteen verses Bernard wrote.  Bernard wrote words for five other hymns including eleven verses of "O Sacred Head, Now Wounded," (we are familiar with the message of this hymn from # 197 of our hymnal, "O Savior Thou Who Wearest a Crown of Piercing Thorns.")

I found the following information regarding the composer and lyricist at cyberhymnal.org.

Words by: Bernard of Clairvaux 

Born: 1091, in his fa­ther’s cast­le at Les Fon­taines (near Di­jon), Bur­gun­dy.
Died: Au­gust 21, 1153, Clair­vaux, France. 

Bernard’s fa­ther Te­ce­lin was a knight and vas­sal of the Duke of Bur­gun­dy. Ber­nard was ed­u­cat­ed at Cha­ti­llon, where he was dis­tin­guished by his stu­di­ous and med­i­ta­tive ha­bits. He en­tered the mon­as­tery of Ci­teaux (the first Cis­ter­cian in­sti­tu­tion) in 1113. Two years lat­er, he was sent, with 12 other monks, to found a daugh­ter mon­as­te­ry in the Val­ley of Worm­wood, about four miles from the Ab­bey of La Ferté, on the Aube. He rose to em­i­nence in Church po­li­tics, and be­came em­broiled in the pa­pal schis­ms of the 12th Cen­tu­ry. He was well known in Rome, and found­ed 163 mon­as­ter­ies through­out Eur­ope. The Ca­tho­lic En­cy­clo­pe­dia car­ries a large ar­ti­cle on him. 

Bernard was a man of ex­cep­tion­al pi­e­ty and spir­it­u­al vi­tal­i­ty. Mar­tin Lu­ther, 400 years lat­er, called him, “the best monk that ever lived, whom I ad­mire be­yond all the rest put to­ge­ther.” 

Music by: John Bacchus Dykes, 1823-1876, England 

At age 12, Dykes be­came as­sist­ant or­gan­ist at St. John’s Church in Hull, where his grand­fa­ther was vicar. He stu­died at Wake­field and St. Cath­er­ine’s Hall in Cam­bridge, where he was a Dikes Scholar, Pre­si­dent of the Cam­bridge Uni­vers­i­ty Mu­sic­al So­ci­e­ty, and earned a BA in Clas­sics. In 1848, he be­came cur­ate at Malton, York­shire. For a short time, he was canon of Dur­ham Ca­thed­ral, then pre­cent­or (1849-1862). In 1862 he be­came Vi­car of St. Os­wald’s, Dur­ham (he named a son John St. Os­wald Dykes, and one of his tunes St. Oswald). 

Dykes pub­lished ser­mons and ar­ti­cles on re­li­gion, but is best known for com­pos­ing over 300 hymn tunes. In his mu­sic, as in his ec­cles­i­as­tic­al work, he was less dog­ma­tic than ma­ny of his con­temp­o­rar­ies about the the­o­log­ic­al con­tro­ver­sies of the day—he oft­en ful­filled re­quests for tunes for non-Anglican hymns. In ad­di­tion to his gift for writ­ing mu­sic, he played the or­gan, pi­ano, vi­o­lin, and horn.

Jesus The Very Thought of Thee

Jesus, the very thought of Thee

With sweetness fills my breast;

But sweeter far Thy face to see

And in Thy presence rest.

No voice can sing, nor heart can frame,

Nor can the memory find

A sweeter sound than Thy blest name,

O Savior of mankind.

O hope of every contrite heart,

O joy of all the meek,

To those who fall, how kind Thou art!

How good to those who seek!

Jesus, our only joy be Thou,

As Thou our prize wilt be;

Jesus, be Thou our glory now

And thru eternity.

Come Ye Children Of The Lord

"When I was a young man in my twentieth year, I wrote a poem to which I paid but little attention. Some one saw it and set it to music. It appeared a simple thing at the time… but somehow there was that something in it that struck a popular chord in the hearts of the people and it will live on after I have passed away…it was such a small effort. There must have been some particular appeal or inspirational setting in it, or it would not have been so universally loved."


~James H. Wallis, 1881  (http://www.hymntime.com/tch/htm/c/y/c/cycolord.htm)

1.  Come ye children of the Lord,
Let us sing with one accord.
Let us raise a joyful strain
To the Lord who soon will reign
On this earth when it shall be
Cleansed from all iniquity

When all men from sin will cease,

And will live in love and peace.

2. Oh, how joyful it will be

When our Savior we shall see!

When in splendor he’ll descend,

Then all wickedness will end.

Oh, what songs we then will sing

To our Savior, Lord, and King!

Oh, what love will then bear sway

When our fears shall flee away!

3. All arrayed in spotless white,

We will dwell ’mid truth and light.

We will sing the songs of praise;

We will shout in joyous lays.

Earth shall then be cleansed from sin.

Ev’ry living thing therein

Shall in love and beauty dwell;

Then with joy each heart will swell.

I love this hymn because it is so full of hope in the anticipation of the second coming of Christ.  As I read this past week about the tragic youth camp shootings in Norway 

I felt sick when I thought of that gunman going on for 30 minutes killing everyone in sight.  

It brought to my mind this scripture, "And because iniquity shall abound the love of many shall wax cold" (Matthew 24:12).   

I sincerely mourn with all the families who are grieving their lost loved ones right now.  

When I think about the senseless violence that occurs daily all over the world, I become very disheartened.  So I love this hymn because of the hope it promises;  that when Christ comes again, the world will be cleansed from iniquity,  the earth, cleansed from sin.  Christ will bring with him an end to all iniquity and men will dwell in love and peace one with another.  We will all rejoice with each other singing songs of praise and shouting for joy at the coming our Lord and Savior, even Jesus Christ.

"Oh how joyful it will be when our Savior we shall see!"

Battle Hymn of the Repubic

I'm backtracking a little bit.  Our choir sang this hymn around the 4th of July, and even though I've always heard it sung around 4th of July, I just didn't really get why it is considered a patriotic song.  I read the words over and over and thought, "This is a great song to sing anytime.  It's a shame we only sing it once a year."


So in case you were wondering why it is classified as a "patriotic song," here's why:  The tune was a very popular tune sung by soldiers fighting in the Civil War.  It had a lot of different words. (In fact, people are still making up words for it today. I sang a version when I was a Beehive at Girls Camp.  "She waded in the water and she got her feet all wet . . ." )  Brother Russell told me that in the armed forces they used to sing it with words that he couldn't tell me in church.  The chorus went something like, "Glory, Glory What a heck-of-a-way to die."  (Except I think most people didn't say "heck.")


Julia Ward Howe, the author of the words wrote the following regarding her inspiration for her famous poem:


"In spite of the excitement of the day I went to bed and slept as usual, but awoke the next morning in the gray of the early dawn, and to my astonishment found that the wished-for lines were arranging themselves in my brain. I lay quite still until the last verse had completed itself in my thoughts, then hastily arose, saying to myself, I shall lose this if I don't write it down immediately. I searched for an old sheet of paper and an old stub of a pen which I had had the night before, and began to scrawl the lines almost without looking, as I learned to do by often scratching down verses in the darkened room when my little children were sleeping. Having completed this, I lay down again and fell asleep, but not before feeling that something of importance had happened to me."



The poem was published in the Atlanta Monthly and the words were quickly put to the tune.  It has since become one of the most well-loved patriotic songs of our nation.


When we were preparing this hymn, I went through all the phrases in this hymn and looked up lots of correlating scriptural references.  There are several.  But since this post is already longer than I anticipated, I won't elaborate on the references.  It makes for a nice scripture study session, though if you feel like delving into this hymn a bit.  It is basically talking about the days before the Lord's 2nd Coming;  The gathering of the elect, and spreading the gospel to all men.

Mine eyes have seen the glory of the coming of the Lord:  (Matthew 24:30)

He is trampling out the vintage where the grapes of wrath are stored; (Revelation 14:19)

He hath loosed the fateful lightning of His terrible swift sword: (Hebrews 4:12)

     His truth is marching on.

I have seen Him in the watch-fires of a hundred circling camps,

They have builded Him an altar in the evening dews and damps;

I can read His righteous sentence by the dim and flaring lamps:

     His day is marching on.

He has sounded forth the trumpet that shall never call retreat; (Matthew 24:31)

He is sifting out the hearts of men before His judgment-seat:

Oh, be swift, my soul, to answer Him! be jubilant, my feet!

     Our God is marching on.

I love the line, "Oh be swift, my soul, to answer Him!  be jubilant my feet!"  I love the idea of not shying away when the Lord needs us, but quickly answering His call, and doing His work jubilantly!

In the beauty of the lilies Christ was born across the sea,

With a glory in His bosom that transfigures you and me:

As He died to make men holy, let us die to make men free,

     While God is marching on. 

The original words of this verse are "As he died to  make men holy, let us die to make men free" which was appropriate for the Union soldiers fighting against slavery.  As it was put into hymn books later on, the word "die" was changed to "live."  Let us "live" to make men free, by sharing the gospel the best we can so that all of God's children can partake in the liberating power of Christ's atonement, and be free from sin and death.


     Glory, Glory, Hallelujah!
     Glory, Glory, Hallelujah!
     Glory, Glory, Hallelujah!
     His truth is marching on!

Here is some information about the word, "Hallelujah" that I found on Wikipedia.

"The word hallelujah occurring in Psalms is therefore a request for a congregation to join in praise toward God. It can be translated as "Praise God" or "Praise Yahweh, you people", and is usually worded in English contexts as "Praise the Lord"  In standard modern Hebrew, the word "hallelujah" is the word for requesting a congregation to join in praise. "Hallel" means to recite praise, "hallelu" is the plural form, and "halleluhu" is the imperative form of the verb. The grammatical extension "yah" is a way of expressing magnanimity for many Hebrew words."

I knew that Hallelujah meant to praise God, but I had never thought of it as an invitation for all to praise God.  So we invited the congregation to join us on one of the choruses, and as we sang  and there was a powerful spirit present as we all lifted our voices in praise of our God. I told the choir that as we sang the words of the chorus to truly feel them rather than sing vain repetitions--to keep in their minds all of the tender mercies of the Lord, and to let their whole souls sing those words.  I think when we are truly sincere in our worship through the hymns, the Lord truly pours out His Spirit upon us, and that's when we receive the blessing promised in Doctrine & Covenants 25.