Ward Choir Christmas Program 2012

Here is our Ward Choir Christmas program from this past Christmas.  It was really nice--but a little on the long side.  We probably should have done 1 less song.  

Don't know which one I would have axed, though.

Good Christian Men Rejoice, arr.  Julie Webb, SATB

Narrator 1:  Years before the birth of the savior, King Benjamin, a prophet on the American continent, proclaimed this joyous news: 

  “For behold, the time cometh, and is not far distant, that with power, the ^aLord ^bOmnipotent who ^creigneth, who was, and is from all ^deternity to all eternity, shall come down from heaven among the children of men, and shall dwell in a ^etabernacle of clay, and shall go forth amongst men, working mighty ^fmiracles, such as healing the sick, raising the dead, causing the lame to walk, the ^gblind to receive their sight, and the deaf to hear, and curing all manner of diseases.

Narrator 2:  And lo, he shall ^asuffer ^btemptations, and pain of body, ^chunger, thirst, and fatigue, even more than man can ^dsuffer, except it be unto death; for behold, ^eblood cometh from every pore, so great shall be his ^fanguish for the wickedness and the abominations of his people.

And lo, he cometh unto his own, that ^asalvation might come unto the children of men even through ^bfaith on his name; and even after all this they shall consider him a man, and say that he hath a ^cdevil, and shall ^dscourge him, and shall ^ecrucify him. And he shall ^arise the ^bthird day from the dead;  . . .”  (Mosiah 3:5,7,9-10)

Sing We Now Of Christmas, arr. T. Chemain Evans, SSAA acappella

Narrator 1: And it came to pass in those days, that there went out a decree from Cæsar Augustus, that all ^athe world should be ^btaxed.  And all went to be taxed, every one into his own city.  And Joseph also went up from Galilee, out of the city of Nazareth, into Judæa, unto the city of David, which is called ^aBethlehem; (because he was of the house and lineage of David:) To be taxed with Mary his ^aespoused wife, being great with child.

And so it was, that, while they were there, the days were accomplished that she should be delivered.  And she brought forth her ^afirstborn son, and wrapped him in swaddling clothes, and laid him in a manger because there was no room for them in the ^binn. (Luke 2:1-7)

Narrator 2:  John 8:12  Then spake Jesus again unto them, saying, I am the light of the world: he that followeth me shall not walk in darkness, but shall have the light of life.

Born is the Light of the World, Sally DeFord, SATB

Narrator 1: And there were in the same country shepherds abiding in the field, keeping watch over their flock by night.  And, lo, the angel of the Lord came upon them, and the ^aglory of the Lord shone round about them: and they were sore afraid.  And the angel said unto them,

Narrator 2:  Fear not: for, behold, I bring you ^agood tidings of great ^bjoy, which shall be to all people.  For unto you is ^aborn this day in the city of David a ^bSaviour, which is Christ the ^cLord.  And this shall be a ^asign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger.

Narrator 1:  And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, Glory to God in the highest, and on earth ^bpeace, good will toward men.

(Luke 2: 8-14 )

Angels We have Heard on High, arr. A. Laurence Lyon,

TTBB chorus and piano

 Narrator 2: Now when Jesus was ^aborn in Bethlehem of Judæa in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, ^aWhere is he that is born ^bKing of the Jews? for we have seen his ^cstar in the east, and are come to ^dworship him.

And [Herod] sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also.

Narrator 1:  When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was.  When they saw the star, they rejoiced with exceeding great joy.

And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and ^afrankincense, and myrrh.

(Matthew 2:1-2, 8-11)

Carol of the Magi, John Rutter,

SATB with Taylor Boyack cello soloist, and Boyack string ensemble

Narrator 2:  The Book of Mormon prophet, Abinadi, proclaimed:  And now if Christ had not come into the world, speaking of things to come as though they had already come, there could have been no redemption.  And if Christ had not risen from the dead, or have broken the bands of death that the grave should have no victory, and that death should have no ^asting, there could have been no resurrection.

But there is a ^aresurrection, therefore the grave hath no victory, and the sting of ^bdeath is swallowed up in Christ.  He is the ^alight and the life of the world; yea, a light that is endless, that can never be darkened; yea, and also a life which is endless, that there can be no more death.  (Mosiah 16:6-9)

Narrator 1:  Revelations 22:16   I Jesus have sent mine ^aangel to testify unto you these things in the churches. I am the ^broot and the offspring of David, and the bright and morning ^cstar.

There is a Star, Joseph Martin

SATB with Jared and Melanie Staten, soloists

Narrator 2:  In an epistle to the early Saints, the Prophet Joseph said:  Let your hearts rejoice, and be exceedingly glad. Let the earth break forth into ^bsinging. Let the ^cdead speak forth anthems of eternal praise to the ^dKing Immanuel, . . .  for the prisoners shall go free. Let the ^amountains shout for joy, and all ye valleys cry aloud; and all ye seas and dry lands tell the wonders of your Eternal King! And ye rivers, and brooks, and rills, flow down with gladness. Let the woods and all the trees of the field praise the Lord; and ye solid ^brocks weep for joy! And let the sun, moon, and the ^cmorning stars sing together, and let all the sons of God shout for joy! And let the eternal creations declare his name forever and ever! (D&C 128: 22-23)

Congregation & Choir:  Joy to the World

Narrator 1:  From the document “The Living Christ—the testimony of the Apostles,” written in 2000 we read:

“We solemnly testify that His life, which is central to all human history, neither began in Bethlehem nor concluded on Calvary. He was the Firstborn of the Father, the Only Begotten Son in the flesh, the Redeemer of the world.

“We testify that He will someday return to earth. “And the glory of the Lord shall be revealed, and all flesh shall see it together” (Isaiah 40:5). He will rule as King of Kings and reign as Lord of Lords, and every knee shall bend and every tongue shall speak in worship before Him. Each of us will stand to be judged of Him according to our works and the desires of our hearts.

“We bear testimony, as His duly ordained Apostles—that Jesus is the Living Christ, the immortal Son of God. He is the great King Immanuel, who stands today on the right hand of His Father. He is the light, the life, and the hope of the world. His way is the path that leads to happiness in this life and eternal life in the world to come. God be thanked for the matchless gift of His divine Son.”

Once in David’s Royal City, arr.  Rachel P. Mohlman,

with additional text by Anna M. Molgard

Ward Choir Christmas Programs

Alright, I've been meaning to do this for awhile, and although it's probably a little late for anyone working on a Ward Choir Christmas Program for this year, maybe it will give you ideas for next year.  I've finally (after spending WAY too much time trying to get this to work . . .) figured out a way to attach these programs here, for anyone who wants to download free PDF versions of the 3 Ward Choir Christmas Programs I've put together over the past 6 years.

I think I mentioned before that I'm not a huge fan of the Christmas Cantatas you can buy--inevitably, I don't like some of the music, or feel the narration too contrived or whatever.  I prefer choosing my own music from a variety of composers and then tying it together with scriptural references and words from our latter-day prophets.  So I have put together 3 such programs, that hopefully will be useful to some ward choir director somewhere.  I'm doing a new one for this year, and then I plan on recycling these 4 for awhile . . .  unless I get a spark of inspiration next year, that is.

The narration in these programs is all scriptural, or taken from words of modern day prophets.  The music, however, is not necessarily all from church approved sources, but was all approved by the various bishoprics I've served under.  However, every bishop is different, so before you start rehearsing any music outside the hymn book or primary song book or other church approved materials get the lyrics approved.

Alright, enough prologue.  Let's see if this works.  You should be able to just click on one of the programs and it will take you to a site that will allow you to download and print the documents . . .


8/26/13
So, I don't know where my links went.  Instead, you can click HERE and it will take you to my post where I just put the programs right in my blog.

Thoughts on Ward Choir during the summer

I figured since we're taking the summer off, I should do something for my church calling.  So I've been updating the fabulous "Preachin' to the Choir" blog on the pieces we did this past "semester."  It would probably be more effective if I got them done before we sang so my ward choir members could have a little background info on the pieces, but, to be honest, I don't think most of my ward choir members even read this, so maybe this will be helpful for another ward choir director somewhere else in the world who happens to stumble upon my ward choir musings.

I was thinking today, that choir director is probably the only calling in the church that you can just take the summer off.  I'll take it!

In case anyone is questioning if that is a good thing or not, let me tell you that I think it definitely is in our ward.  Last summer I tried to rehearse all the way through and it proved BEYOND frustrating for me.  Some weeks we'd have 5 people show up, so I'd get out something really simple to work on, and some weeks we'd have 25 people, so I'd be scrambling for something a little more challenging.  And sometimes we'd have all sopranos and one bass, and what do you even do with that?  I know that it says in the handbook to have the ward choir perform at least 1-2 times a month, and we definitely do that during the school year.  But during the summer when people are traveling, there is just no consistency.  It makes it very difficult to plan a rehearsal that isn't wasting everyone's time.

Besides, I have it on authority of Rosalind Hall (BYU Men's Choir Conductor).  She has been her ward choir director for years (how would it be to be in HER ward choir!?!)  and has observed that people like to be a part of something with an end product.  So in the Fall our "end product" is the Christmas program, and we start rehearsing for that in August/September, along with other pieces that we perform along the way.  In the Spring, the "end product" is the Easter program.  It's not technically the end, as we prepare music to present through the month of May, but you get the idea.  And now we are taking June and July completely off, and will reconvene in August.  Hopefully everyone will be excited to sing together again after a nice long break.  I know I need the break as much as anyone to sort of regroup and choose new music and get my focus back.

So Happy Summer!

A Place in His Arms

On April 29th, we had a special music presentation with the ward choir and volunteers from the Senior Primary.  I love when we invite the primary children to sing with us for a couple of reasons--1) It significantly boosts our ward choir attendance, because usually at least one of their parents comes with them, ;)  and 2) There is just such a sweet spirit when the primary children sing.

We sang "A Place in His Arms" by Sally Deford and it was perhaps the best thing we've sung the entire year so far.  I still have people comment to me how much they enjoyed that song (and it's June as I'm writing this.)  For the first verse, I asked my daughter Daphne to sing a solo, (she did BEAUTIFULLY.) Then all the primary children sang the 2nd verse with the women oohing behind them.  The third verse started out with the choir a cappella.

Then came the 3rd verse chorus, which was one of my favorite moments of the piece.  It started with the women in unison, then added the men, then we added the children on the words "There was room in His arms for his little ones then, there's a place in His arms for me!"  It was really powerful, how it kept building and building.  (I'm getting chills just thinking about it, and I don't think it's just because I'm sitting by an air vent . . .)

Then on the last line, Daphne sang by herself "There's a place in His arms for me," while the choir oohed behind her.  I don't know if everyone internalized the reasoning behind that, but what it meant to me is that the Savior's love is for everyone (everyone singing "There was room in His arms for His little ones then . . .")  but somehow, it is also VERY personal and individual.

This piece has a wonderfully tender message about the Savior's love for each one of us.  I told the primary children that even though none of us were alive at the time of the Savior's ministry on earth, and none of us can remember what it feels like to get a hug from Jesus, if they would pay attention to the way they felt as they sang this song, the Holy Ghost could teach them how it feels to be encircled by Jesus' arms.  As I looked at those sweet children while they were singing, I saw one little girl with tears in her eyes, and I knew she'd been paying attention.

A Place in His Arms

Suffer the children to come unto me,

Jesus taught His disciples of old

Then he took every child in His loving embrace

And He blessed them so long ago

Bring me your little ones, Jesus said

For of such shall my kingdom be

There was room in His arms for his little ones then

There's a place in His arms for me

Oh how the Savior loves each little child

How He smiles when I seek Him in faith

Then He gathers me close in His loving embrace

And He blesses me day by day

Bring me your little ones, Jesus said

For of such shall my kingdom be

There was room in His arms for his little ones then

There's a place in His arms for me

So, like the children who sought Him of old,

I will come to the Holy One

I will call on His name, I will trust in the grace

Of the Father's beloved Son

Humble my heart like a little child

For of such shall His kingdom be

There was room in His arms for his little ones then

There's a place in His arms for me

There's a place in His arms for me 

Easter Music

For Easter, our Bishopric doesn't have the choir do the whole program, which is fine with me, since it's usually pretty close to Christmas, and we would be hard-pressed to prepare an entire program in the time between Christmas break, and Easter.  But we do prepare extra music.  This year we did three pieces, and here is a quick run-down of our Easter line-up for April 8, 2012

Risen Today, by Dan Forrest.

This is a very lively arrangement of the hymn Christ the Lord is Risen Today.  You really should go to Dan's website and listen to the recording.  (There is tamborine in the recording, which I LOVE, but of course, did not use.)  Some of my choir loved this piece and some  . . .  did not.  I loved it (obviously, or I wouldn't have chosen it).  I loved how joyful it made me feel, and if the resurrection is anything, it is an occasion to be JOYFUL about.  

**I actually went back and forth quite a lot about that song deciding whether or not it was appropriate for Sacrament meeting.  LDS Sacrament meetings tend to be very conservative, and for the most part I agree with that.  I'm not a fan of Christian Pop or anything like that.  I tend to stick to more traditional hymns.  But sometimes I feel like our congregations need a little "Hallelujah!" in them.  Sometimes, I feel like instead of the reverence we're aiming for, we're just getting complacence.  We're just singing along, not paying attention to the words or what they implicate in our lives, and sometimes a different setting of a hymn can help us understand the words in a new light.  I felt like this hymn did that for me and I hope it helped others feel a sense of pure joy and rejoicing in the Resurrection of our Savior.

There is a Green Hill Far Away, arr. by Christine Davis

This is a lovely arrangement of a beautifully simple hymn.  Lovely words, lovely melody.  This arrangement splits into 8 parts at the end and is just really gorgeous.  Loved it.

O Love That will not Let me Go, arr. by Joseph Martin

I won't delve into this piece because I already wrote an entire post about it.   Since this is not in our hymnal, I put the words in the program so the congregation could ponder the beautiful text.  The ward loved this song.

O Love That Will Not Let Me Go

George Matheson
Born: March 27, 1842, Glasgow, Scotland
Died: August 28, 1906, Edinburgh, Scotland

George Matheson was called "The Blind Preacher."  He used very powerful glasses in his youth but by the age of 20 he had completely lost his eyesight, and relied on his good sister who helped him study and prepare his sermons and who kept his house for him.  He had a wonderful memory and delivered his sermons from memory.  He was known for his optimism in life despite the loss of his sight and was a very famous preacher known throughout Scotland.  He traveled to England to preach to Queen Victoria by her own invitation.  She had his sermon on "The Patience of Job" published so more people would be able to receive it.  He wrote many sermons, articles and books, but perhaps his most enduring and widely influential literary contribution was this simple hymn.


George Matheson said the following regarding the words of this hymn:

"My hymn was com­posed in the manse of In­ne­lan [Ar­gyle­shire, Scot­land] on the ev­en­ing of the 6th of June, 1882, when I was 40 years of age. I was alone in the manse at that time. It was the night of my sister’s mar­ri­age, and the rest of the fam­i­ly were stay­ing over­night in Glas­gow. Some­thing hap­pened to me, which was known only to my­self, and which caused me the most se­vere men­tal suf­fer­ing. The hymn was the fruit of that suf­fer­ing. It was the quick­est bit of work I ever did in my life. I had the im­press­ion of hav­ing it dic­tat­ed to me by some in­ward voice ra­ther than of work­ing it out my­self. I am quite sure that the whole work was com­plet­ed in five min­utes, and equal­ly sure that it ne­ver re­ceived at my hands any re­touch­ing or cor­rect­ion. I have no na­tur­al gift of rhy­thm. All the other vers­es I have ever writ­ten are man­u­fact­ured ar­ti­cles; this came like a day­spring from on high." (101 Hymn Stories by Kenneth W. Osbeck. Kregel Publications, 1982, emphasis added)

O Love That Will Not Let Me Go

O Love that wilt not let me go,

I rest my weary soul in thee;

I give thee back the life I owe,

That in thine ocean depths its flow

May richer, fuller be.

O light that followest all my way,

I yield my flickering torch to thee;

My heart restores its borrowed ray,

That in thy sunshine’s blaze its day

May brighter, fairer be.

O Joy that seekest me through pain,

I cannot close my heart to thee;

I trace the rainbow through the rain,

And feel the promise is not vain,

That morn shall tearless be.

O Cross that liftest up my head,

I dare not ask to fly from thee;

I lay in dust life’s glory dead,

And from the ground there blossoms red

Life that shall endless be.

I first encountered this hymn at the BYU Choral Academy Workshop.  It is not in our LDS hymnbook, but is a common hymn in many Christian churches.  The arrangement I heard at the Choral Academy (and therefore the one I am teaching the our ward choir) was composed by Joseph Martin.  To be honest, I did not fall in love with it instantly.  In fact, it wasn't until I heard a group of BYU students perform it for us, that I felt like I truly understood it, and was deeply moved by it.  As I listened I felt like every line was full of personal meaning just for me.  I believe the words of this hymn were truly inspired, and when one receives the message of this hymn through the spirit, the spirit will tailor the meaning of the words to each individual.

I have read and sung this text over and over, and it continues to speak to me.  There is so much exquisite, meaningful imagery throughout the piece.  I could go on and on about each line of text, but I'll just mention one.  The first line, "O Love that will not let me go" brings to my mind the image of Christ's hands pierced for us, and ever outstretched to receive us home, as the prodigal son returned home to the outstretched arms of his father.  No matter what our weaknesses, no matter how often we fail, His is a love that will not ever give up on us.  We are engraven upon His hands, and He will not let us go.  I cannot wait to share this hymn with our ward.

Children of the Heavenly Father

Words:  Karolina W. Sandell-Berg, born 1832, Sweden

Music: Traditional Swedish Melody, arranged by Oskar Ahnfelt, born 1813, Sweden

On February 26th, our choir will be singing an arrangement of this hymn by Dan Forrest.  It has a cello obligato and we will be joined by a children's choir which is singing the first verse and a descant over the last verse.  It will be lovely!

 Here is a link to the Dan Forrest Choral Library.  You'll find the title about half way down the page, and you can listen to a recording of it.  

Children of the Heavenly Father

Children of the heav’nly Father

Safely in His bosom gather;

Nestling bird nor star in Heaven

Such a refuge e’er was given.

God His own doth tend and nourish;

In His holy courts they flourish;

From all evil things He spares them;

In His mighty arms He bears them.

Neither life nor death shall ever

From the Lord His children sever;

Unto them His grace He showeth,

And their sorrows all He knoweth.

Though He giveth or He taketh,

God His children ne’er forsaketh;

His the loving purpose solely

To preserve them pure and holy.

Lina Sandell was only 26 when she and her father went were on a boat, and he fell overboard and drowned before her eyes.  It is said that that experience is what inspired her to write hymns.  She wrote 650 hymns!

Oscar Ahnfelt composed or arranged the music for Sandell's hymns.  He traveled throughout Scandinavia singing her hymns and accompanying himself on a 10 string guitar.  Sandell wrote, "Ahnfelt has sung my songs into the hearts of the people."